The Taiwan Gazette translates and publishes original reporting from Taiwan, Hong Kong and China. Our goal with the platform is simple: We want original reporting from the Sinosphere to have a wider impact on global civil society.
All in The Reporter (報導者)
On February 26, 2021, the Chinese General Administration of Customs unexpectedly announced a ban on imports of Taiwanese pineapple starting from March 1. March is the export season for Taiwan's famous Golden Diamond Pineapple. The Chinese ban came as a shock to the Taiwanese industry. How did Taiwan’s overreliance on the Chinese market come to be? Who gets to decide the fate of Taiwanese pineapples?
How is Taiwan seen under the gaze of others? What might hinder people from understanding Taiwan as it is through a more realistic approach? How can Taiwanese establish and present its own subjectivity? Lin Wei-Yun ‘s (林蔚昀) insightful critique of a Polish edited volume on Taiwan might provide some meaningful clues.
Australian musician Brett Dean's diagnosis of COVID-19 on March 5 2020 shocked Taiwan's art world. Cho Hsiao-ching (卓曉青), the first violinist of the National Symphony Orchestra shares her personal journey as an artist, mother and victim of the pandemic, following her experience of self-health management.
In 2019, the China Film Administration banned mainland Chinese films and related personnel from participating in the 56th Golden Horse Awards. How did filmmakers, curators, and critics in Taiwan, mainland China, and Hong Kong react to this ban? What are the implications behind a Golden Horse Awards without China?
Pei is a Mainland Chinese student who has studied in both Taiwan and Hong Kong. How is she “represented” in debates in different places? What are her insights on identity politics, nationalism, and populism? Introducing the third piece of our special series: Lusheng in Taiwan: Contradictions and Anticipations.
Many in Hong Kong see immigration as a means to escape China’s tightened control over the city they called home. The Reporter interviews immigrants who moved from Hong Kong to Taiwan between 1969 to 2020 for different reasons. What were their strategies of adaptation and integration? How did they deal with their feelings toward immigration—a feeling of being so close yet so far?
