The Taiwan Gazette translates and publishes original reporting from Taiwan, Hong Kong and China. Our goal with the platform is simple: We want original reporting from the Sinosphere to have a wider impact on global civil society.
When Image Becomes the Salt of Life – Cutting through the Narrative of Heroization in Lau Kek-huat’s Taste of Wild Tomato
The Kaohsiung Film Archive commissions the creation of documentary films on the city of Kaohsiung, to exhibit “local people’s identification with the land, and display Kaohsiung’s local cultural scene through visuals”. Twenty-five documentary films have been made over the past ten years, which touch on aspects such as folk customs, industry, military dependents' villages, indigenous people, migrant workers, and landscape transformation. Taste of Wild Tomato, which was nominated in the 2022 Taiwan International Documentary Festival (TIDF) competition, is one of the latest commissioned works. The film breaks free of the longstanding framework of discussing and recreating the February 28th Incident, extending from this singular focus to the furthest realms of visual language. Through a loose and poetic narrative, the film casts light upon the multifaceted, uncertain and unstable history of the city, and indeed the country as a whole.
Sculpting Enlightenment: The Century-long Legacy of Huang Tu-shui’s ‘Water of Immortality’
In October 1921, two events rocked the Taiwanese arts and cultural space; the founding of the Taiwan Cultural Association, and Huang Tu-shui’s (黃土水) sculpture, ‘Water of Immortality’ (甘露水), was selected for the Japan Fine Art Exhibition. One hundred years after its birth, the long-since locked away ‘Waters of Immortality’ has been fully restored, and on December 18th 2021, MoNTUE will once again unveil her to the world.