“Taiwan literature can be conceived of as every single mode of literary expression that has left an existential trace on Taiwan,” said Dr. Shuo-bin Su (蘇碩斌), director of the National Museum of Taiwan Literature. The research, preservation, and promotion of such modes of expression, however, either failed to receive organized institutional support or was subsumed under a China-centered historiographical perspective before the lifting of martial law in Taiwan. The establishment of Taiwan literature as a field of academic inquiry became possible thanks to the political liberalization of Taiwanese society and the emergence of a “Taiwan consciousness” since the 1980s. What might be the challenges and possibilities facing the field of Taiwan literature, then and now? What might be the new directions of the field? This interview features as part of our special issue: Encountering Everyday Life: Taiwan in Museums.